TK's Sober Movie Reviews

Let me get this out front first: As I alluded to on Twitter, I fucked up Sober January. Actually, I fucked it up repeatedly, but last weekend (when I posted about it on Twitter), it was totally and completely The Wife’s fault. We were at this art show thing and I was sulking around with my Sparkling Water and The Wife finally browbeat me into having wine so we could have Fun. Which then did ensue and ended up in a lengthy, late-night dinner for 5 at Foreign Cinema with lots more wine and booze and then the Smoking of the Cigarettes and the Hailing of the Cabs and then the Further Unnecessary Drinking.

And then, once it’s ruined, why not just carry on the rest of the weekend? Hey, Miss America’s on!

(I only watched – LITERALLY – like 10 minutes of it and could totally tell that Miss Texas was going to win. Also, I saw a little bit of the talent competition and some chick did a Double Ventriloquist thing with 2 dummies that was mindblowing and immensely sad at the same time. It almost made me cry.)

What was my point? Oh yeah, anyway, back on Sober January again and you know what happens during Sober January? You watch a lot of movies. So here are my uninformed bullshit takes on what we’ve seen, in roughly reverse chronological order:

Three Kings: I guess David O. Russell’s original vision for this film, which concerns the Gulf War for Oil and came out in 1999, will forever be tainted by, um, subsequent events. I found it impossible to not think about what was coming 10+ years after this film is set. Anyway, it’s pretty good. Ice Cube actually does a serviceable job with the acting. The ending’s a little too pat, but that’s Hollywood. (Humorously, David O. Russell is known in Hollywood as “David O. Asshole.” No point; I just think that’s funny.) George Clooney plays Major George Clooney.

Please Give: Yes, it’s another film about whiny, navel-gazing, self-involved Manhattanites, but I actually really liked it and I don’t know why. Maybe Amanda Peet. Amanda Peet rules. Also, there’s a kid who turns in a great performance. The message of the film seems to be that joy comes from material things, which is refreshingly honest. Or maybe that’s not the message, I don’t know. Anyway, there’s not a lot of story but the dialogue is pretty great and Amanda Peet is in it.


Amanda Peet is startled while looking for something to wear in her next low-budget, character-driven indie.

Catfish: This was awesome. It’s a documentary about meeting people on the Internet and GASP maybe everyone is not what they seem. It’s hard to say too much without giving the whole thing away. There is one scene of incredible tension that rivals anything in some retarded Michael Bay action thriller, and there aren’t even any explosions in it. Anyway, if you use the Internet, you will enjoy this film.

Heathers: I hadn’t seen it in a long time, and The Wife had never seen it. I was anticipating a fun-filled romp through the past, but The Wife fell asleep and I found out that this movie really doesn’t hold up well at all.

The Ghost Writer: Now, this was pretty great. It’s sort of a political suspense thriller which may not sound that exciting but it really is. Reappearance of the teacher from “Rushmore”! Anyway, totally worth watching.

Monsoon Wedding: Pretty much exactly what I expected. It’s a chick flick from India. It was fine. Better than some chick flicks, I’ll tell you that much. It was better than “Love and Other Drugs.” That’s a chick flick, right? It wasn't very good.